Common Mode Rejection (CMR): 120 dB (1kΩ Source Imbalance @ 50/60 Hz) Normal Mode Rejection (NMR): 60 dB (1kΩ Source Imbalance @ 50/60 Hz) Input Protection: over-voltage protection, over-current ...

In previous installments of the AudioFile, we've talked about basic PCM audio, which encodes audio into a series of numbers that a computer can play or manipulate. We've also discussed the process of ...

Analog-to-digital converters, or ADCs, are somewhat monolithic devices for most users, a black box that you ask nicely for the value on its input, and receive a number in return. For most readers, ...

The usual method of bringing analog inputs into a microprocessor is to use an analog-to-digital converter (ADC). Here are some tips for selecting such a part and calibrating it to fit your needs. In ...

The design and optimisation of analog-digital converters (ADCs) and digital-analog converters (DACs) play a pivotal role in modern electronic systems, bridging the gap between the analog real world ...

As much as it’s an analog world, it is often being chopped up into digital pieces. As communications go digital and the computing power increases, signals are being transformed into digital words that ...

Making sound with digital logic usually calls for a Digital to Analog converter. Building one can be very simple, and the sound quality out of an R-2R Ladder is actually pretty good. In the last ...

Confused by analog-to-digital converter specifications? Here's a primer to help you decipher them and make the right decisions for your project. Although manufacturers use common terms to describe ...

Time-based analog-to-digital converters (ADCs) represent an innovative shift from traditional voltage-based conversion schemes by utilising time-domain techniques for digitising analog signals.